Lending White Walls
Generously, the Netherlands lent the Rietveld Pavilion to Estonia for the Venice Biennale. But we could not prevent the work of one of our guests being censored. What does real engagement actually look like?
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Towards a Boneless Ethic: Exhibiting Institutions in Ecologies of Decease
Niekolaas J. Lekkerkerk’s essay on the primary function of art as a means of finding one’s inscription into contemporaneity, seeks to connect geopolitical turmoil, the Corona pandemic, ecological breakdown, the Black Lives Matter movement, uprising against dictatorships and the enduring migrant crises to the activistic inadequacy of the art workers brigade.