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The Long Tail of Art
Nuummi is an exceptional artist
Lending White Walls: Generously, the Netherlands lent the Rietveld Pavilion to Estonia for the Venice Biennale. But we could not prevent the work of one of our guests being censored. What does real engagement actually look like?
Towards a Boneless Ethic: Exhibiting Institutions in Ecologies of Decease – The space is closed, but the show must go on. Amidst geopolitical turmoil, among the outbreak of a corona pandemic, increasing ecological breakdown, protests coinciding with the Black Lives Matter movement, the uprisings in Belarus against its dictatorship, and the enduring migrant crises, we, the art workers brigade, in their different guises, find ourselves in stasis and suspense.
The Practice of – The publication tells several true stories that reflect dilemmas and dogmas that persist in the Dutch art field. Through these examples, the publication aims to portray the hermetically sealed, but economically and morally impoverished ecosystem in which art education institutions, museums, presentation spaces, funding agencies, galleries, art fairs, and their workers such as artists, curators, art brokers, art educators, and art mediators, are involved.